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Exclusive Interview with the Cast and Director of The Devil’s Mouth

Exclusive Interview with the Cast and Director of The Devil's Mouth

An Epic Production Filmed Across Thailand – Conquering More Than 3,000 Hairpin Turns to Capture the Perfect Shot

Interview compiled by Benjarong Kotchanawong

Get ready for a heart-pounding survival thriller with The Devil’s Mouth, the story of five young adventurers who embark on a journey along Thailand’s breathtaking coastline. Their expedition leads them to a remote cave known as “The Devil’s Mouth,” where they join a cave-diving tour, only to discover that something is stalking them beneath the water. Swift. Silent. Deadly.

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Photo credit: The Devil’s Mouth.

The film was shot across several stunning locations throughout Thailand, including Bangkok, Krabi, Mae Hong Son, and Samut Prakan.

The cast features a talented lineup of rising stars, including Kathryn Newton, Lana Condor, Gavin Casalegno, Nico Hiraga, and Tommi Rose, alongside internationally recognized Thai actor Tayme Thapthimthong. The Devil’s Mouth is now streaming on Prime Video.

Today, we bring you an exclusive interview with the film’s cast and director.

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Tayme Thapthimthong (Photo credit: Todd Williamson/JanuaryImages for Prime Video.)

Exclusive Interview: Tayme Thapthimthong

What was your first reaction after reading the script and joining The Devil’s Mouth?

First of all, I felt incredibly proud to be part of this film because it was shot entirely in Thailand, both in the north and the south of the country. It’s a wonderful opportunity to showcase the beauty of Thailand to audiences around the world.

In the film, I play a tour guide who leads foreign tourists into an underwater cave. I was especially excited when I learned there would be numerous underwater scenes, so I actually looked forward to the diving training long before filming even began.

Tell us about your role as the tour guide.

I play a cave-diving guide who takes a group of international tourists into a cave called “The Devil’s Mouth.”

When I spoke with Jeff, the director, he wanted my performance to feel as natural as possible. My character is a local guide who knows the cave inside and out. At first, he doesn’t suspect that anything is wrong. But once disaster strikes, his only goal becomes getting every member of the group out alive.

It wasn’t a particularly difficult role because authenticity and realism were the most important aspects of the character.

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Photo credit: The Devil’s Mouth.

The film involves cave exploration, climbing, and extensive underwater sequences. How did you prepare physically before filming?

About a month before principal photography began, all six main cast members attended a workshop together in a two-meter-deep swimming pool.

Professional diving instructors trained us in freediving—holding our breath while diving without oxygen tanks—as well as the basics of scuba diving.

We trained in the pool almost every day for nearly a month. We also practiced breath-holding because many of the scenes required us to stay underwater for extended periods during filming.

Fortunately, I’ve always enjoyed swimming, so the training wasn’t too difficult for me. It was a fun experience, and it also helped all of us become much closer before production officially started.

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Photo credit: The Devil’s Mouth.

Was there a particular scene that was especially challenging or memorable?

One of the first locations we filmed at was a cave entrance in Mae Hong Son, where we shot a canoe sequence. After that, we moved to a cave in Krabi.

Everyone was excited because we had to film in real water. The cave water was cold, murky, and filled with branches and leaves. Fortunately, professional divers always inspected the area beforehand to ensure everything was safe.

There was one scene where the tourists had to jump into water that was about 30 meters deep. Naturally, everyone was a little nervous.

At one point, I had to float alone in the middle of the water while waiting for the next take. I couldn’t help imagining whether a fish—or something else—might suddenly appear beneath me. (Laughs.) But thankfully, everything was completely safe.

Another cave we filmed in was nearly 70 meters deep and incredibly dark. During one scene, someone accidentally kicked another actor with a diving fin, which startled everyone. Looking back, though, it’s something we can all laugh about now.

After that, we continued filming in a studio in Bangkok. The production design team did an outstanding job building two full-scale cave sets.

One was a five-meter-deep underwater cave specifically designed for underwater scenes, while the other featured water approximately 1.6 meters deep so actors could stand comfortably during dialogue scenes instead of floating the entire time.

The set was designed like a maze, allowing us to swim through interconnected chambers. It was truly impressive.

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Photo credit: The Devil’s Mouth.

The film was shot in several provinces across Thailand. Which location was the most challenging?

For me, Mae Hong Son was definitely the most challenging—not because of the filming itself, but because of the journey to get there.

We had to drive through more than 3,000 winding mountain curves to reach the location.

Many of the international cast members had only just arrived in Thailand. They weren’t yet accustomed to the climate or the long, winding mountain roads, so the crew asked me to help take care of them.

I ended up becoming a real-life tour guide as well. I handed out motion sickness medicine, asked the driver to stop whenever someone needed a restroom break, and helped everyone get through the trip as comfortably as possible. Sometimes stopping wasn’t even possible because it would block the narrow mountain road for the vehicles following behind us.

Some of the cast members felt carsick, while others desperately needed a restroom. Looking back now, it was quite a chaotic experience—but also a funny one.

It wasn’t just the cast making the journey. Every department—from the makeup team and equipment trucks to the crane operators—had to travel the same mountain route.

On top of that, we had to wake up at 4:00 a.m. every day to make sure we were ready to capture the first light of sunrise.

What was it like working with the international cast in Thailand?

Everyone absolutely loved Thailand.

While we were filming in Krabi, we stayed at a beachfront hotel with a swimming pool, and all of us were staying close to one another. It created a warm, relaxed atmosphere that made working together even more enjoyable.

We would have dinner together, go swimming, enjoy cocktails, and watch the sunset after filming.

I felt proud to introduce them to experiences they had never had before because, for many of them, it was their first visit to Thailand.

I took them to local restaurants in Ao Nang, introduced them to authentic Thai cuisine, and showed them how local people live so they could experience more than just the hotel.

Those moments remain some of my favorite memories from the entire production.

What was it like working with director Jeff Wadlow?

Working with Jeff was an incredible experience.

He’s an exceptionally talented director, easy to talk to, and a genuinely fun person to work with.

I’d been a fan of his films for years, especially Kick-Ass 2 and Never Back Down, which I loved growing up. So when I found out I’d be working with him, I was thrilled.

Jeff later told me that he had seen my performance in The White Lotus and liked my work, which is why he reached out and offered me the role directly.

This was actually the first acting job I’ve ever received without having to audition.

Knowing that the film would also be shot in Thailand made it an even easier decision to accept, since it gave me the chance to come home and spend time with my family.

Working with Jeff was smooth from beginning to end. He’s straightforward, clear in his direction, and after production wrapped, we’ve remained good friends and still keep in touch regularly.

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Lana Condor (Photo credit: Todd Williamson/JanuaryImages for Prime Video.)

Exclusive Interview: Lana Condor

How did you feel when you were first offered a role in The Devil’s Mouth?

Honestly, my first thought after reading the script was, “Whoever agrees to star in this movie has to be completely crazy.” Then, almost immediately, I thought, “Well, I must be just as crazy if I turn it down.”

The script was simply that good.

One of the things that excited me the most was the opportunity to film in Thailand. I’d wanted to visit Thailand for a very long time, so that was one of the biggest reasons I decided to join the project.

Another reason was that I was looking for a role that would truly challenge me as an actress. I absolutely love romantic comedies and have enjoyed working in that genre, but I also wanted to see how far I could push myself by taking on something completely different.

The chance to collaborate with Jeff, the producers, the cast, and to work with such a strong script made the decision even easier.

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Photo credit: The Devil’s Mouth.

This film demanded a great deal physically. How did you prepare for such an intense role?

Without a doubt, this was an incredibly demanding film from a physical standpoint.

One thing I rediscovered while returning to a more action-oriented project is that I genuinely enjoy roles that push me to my physical limits.

When my body is under real stress and pressure, my performance naturally becomes more authentic. It becomes easier to believe in the situation my character is experiencing, and I think that authenticity helps the audience believe in it as well.

That said, this film was unlike anything I’d done before.

Most of my previous action projects revolved around fight choreography, but The Devil’s Mouth isn’t about fighting—it’s about survival.

The challenge wasn’t defeating an enemy; it was simply staying alive.

Even while the crew was resetting cameras or preparing for the next take, we couldn’t just relax. We had to keep swimming or tread water continuously so we wouldn’t sink.

Because of that, this film delivers action through survival rather than combat. Every moment demands physical endurance, making it a very different kind of action thriller.

Much of the film takes place underwater. What was the most difficult aspect of filming those scenes?

The biggest challenge was undoubtedly spending so much time in the water.

Filming underwater is already difficult enough, but doing it inside caves made everything even more demanding.

There were times when we had to remain submerged for extended periods, repeatedly performing the same scenes while conserving our energy.

The water was cold, visibility was often poor, and we had to stay focused on both our performances and our safety at the same time.

Fortunately, we had an incredible team of professional divers and safety specialists looking after us throughout the entire production, which gave us the confidence to fully commit to every scene.

What was it like working alongside the rest of the cast?

One of the best parts of making this film was the people.

Everyone was incredibly supportive of one another from day one.

Because we went through diving training together before filming began, we built trust and formed genuine friendships long before the cameras started rolling.

During production, we spent so much time together—in the water, on set, and after work—that we became like a little family.

That bond naturally translated onto the screen and helped make our performances feel much more believable.

What was your experience filming in Thailand like?

I absolutely fell in love with Thailand.

The country is stunningly beautiful, the food is incredible, and the people are some of the warmest and kindest I’ve ever met.

I’d wanted to visit Thailand for years, and finally getting the opportunity through this film exceeded every expectation I had.

It wasn’t just another filming location—it became an unforgettable experience.

I sincerely hope I’ll have the chance to return, whether for another film or simply as a visitor.

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Jeff Wadlow (Photo credit: Todd Williamson/JanuaryImages for Prime Video.)

Exclusive Interview: Director Jeff Wadlow 

What inspired you to direct The Devil’s Mouth?

I think almost every filmmaker dreams of making a shark movie at least once in their career. I mean, why wouldn’t you? Shark films have become a genre all their own.

That said, audiences today are always looking for something fresh and different, so I knew that if I were going to make a shark movie, it had to offer something unique.

What immediately drew me to The Devil’s Mouth was that, while it’s undeniably a shark film, it’s also a claustrophobic survival horror story. That’s a genre I’ve wanted to explore for a long time.

As I continued reading the script, I became even more impressed. Every character felt layered and complex, especially the relationships between the female characters, which form the emotional heart of the story. Their dynamic was written with remarkable depth and nuance.

I was hooked almost immediately and didn’t hesitate to say yes.

The film was shot in several locations across Thailand. Why was Thailand the perfect place for this story, and what was your experience like filming here?

Filming in Thailand was an absolutely incredible experience.

I genuinely fell in love with the country. It was one of those once-in-a-lifetime adventures that every filmmaker hopes to have.

In fact, after production wrapped, I came back to Thailand just to visit the friends I had made while working here. I’m already looking forward to returning to shoot another film in the future.

The Thai crew was exceptional, and every filming location was breathtakingly beautiful.

Honestly, I could spend hours talking about all the reasons why Thailand is such an amazing place to make movies.

If you asked me to choose my favorite location in Thailand, I honestly couldn’t. It wouldn’t be fair.

Every place we visited had its own unique beauty and character, and every location was incredibly cinematic.

All I can really say is that my entire experience in Thailand was extraordinary.

Did you have the chance to try Thai food? Was there a particular dish you enjoyed the most?

There’s actually a funny story behind that.

I’m severely allergic to peanuts.

Originally, the script was written with Mexico as the filming location. When the studio suggested moving production to Thailand, my first reaction was, “That might not be such a great idea.”

To be honest, I’d never even dared to eat at a Thai restaurant before because I was always worried about accidentally eating peanuts.

But the Thai production team reassured me.

They told me, “Don’t worry. We’ll take good care of you. Everything will be fine.”

And they were absolutely right.

I had an amazing time, and Thai food turned out to be absolutely delicious.

Avoiding peanuts wasn’t nearly as difficult as I’d imagined. I simply learned to stay away from dishes like Massaman curry and Pad Thai.

That said, I definitely found a favorite.

Pad Kra Pao became my go-to dish. I could honestly eat it every single day and never get tired of it.

Another unforgettable experience was traveling around northern Thailand near Chiang Mai and exploring Krabi in the south while scouting filming locations.

Along the way, we stopped at countless small roadside restaurants.

Every meal was flavorful, authentic, and packed with character, and every restaurant owner welcomed us with incredible warmth and hospitality.

I truly loved every moment I spent in Thailand.

By now, you can probably tell just how much I love this country.

I honestly can’t wait to come back.

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Photo credit: The Devil’s Mouth.

The film features numerous underwater sequences. From a technical standpoint, what was the biggest challenge, and was there a particular scene that proved especially difficult?

To be completely honest, this film was difficult from beginning to end.

There wasn’t a single easy day.

Most productions have lighter shooting days that allow the cast and crew to catch their breath, but The Devil’s Mouth wasn’t that kind of movie.

Every single day presented a new challenge.

Almost the entire film takes place in water, and much of it is set inside caves.

We filmed in real caves across Thailand, and we also built enormous cave sets in the studio before filling them with water.

As everyone knows, cameras and water aren’t exactly best friends.

Even shooting near water is challenging, but filming completely underwater requires highly specialized equipment and an extraordinary amount of planning.

There was nothing easy about making this film.

Yet we were fortunate to have two things that carried us through every challenge.

The first was our incredible crew—especially the Thai crew, who never backed down from any obstacle.

They were among the most dedicated, hardworking, and resilient professionals I’ve ever had the privilege of working with.

The second was our phenomenal cast.

Led by Kathryn Newton and Lana Condor, they were always willing to dive in—literally and figuratively.

Together, we tackled every challenge one step at a time and found solutions to every problem we faced.

Tell us a little about the cast. What impressed you most about working with them?

When I’m casting a film, I’m not simply looking for actors who fit the roles. I’m looking for people who are genuinely interesting.

I want actors who can bring something uniquely their own to a character—something that goes beyond what’s written on the page.

Our five lead actors, Kathryn Newton, Lana Condor, Gavin Casalegno, Nico Hiraga, and Tommi Rose, are all incredibly charismatic people in real life.

Each of them brought their own personality, life experience, and perspective to the film, which made every character feel vibrant, authentic, and deeply relatable.

They’re the kind of characters audiences will root for. They’re fun to watch together, but they’re also flawed and imperfect in ways that make them feel genuinely human.

As for Tayme Thapthimthong, who plays our local tour guide, I feel incredibly fortunate that he agreed to join the film.

He had just finished filming The White Lotus Season 3, and I thought he delivered an outstanding performance in that series.

When I found out he was not only available but also genuinely interested in playing this role, it honestly felt like a dream come true.

If you had to describe The Devil’s Mouth in just three words, what would they be?

I’d describe it with these three words:

Thrilling. Emotional. Water.

Those three words capture the spirit of the film perfectly.

Beyond the thrills of a shark movie, is there a message or feeling you hope audiences will take away from The Devil’s Mouth?

At its core, I believe this film is about survival and perseverance.

But another idea stayed with me throughout the entire filmmaking process—the importance of respecting nature.

Nature is breathtakingly beautiful, and that’s precisely what makes it so powerful and awe-inspiring.

At the same time, however, nature can also be incredibly dangerous.

Our role isn’t to conquer nature or believe we can control it.

Our role is to admire it, respect it, and recognize its power.

If we fail to show that respect, the consequences can be devastating—even fatal.

That’s exactly what some of the characters in this story experience.

Throughout their journey, they learn that nature is not something to challenge or take lightly.

It’s something that deserves our humility and respect.

A Final Message to the Audience

The Devil’s Mouth is more than just a shark thriller.

It’s a story about friendship, courage, resilience, and the instinct to survive against overwhelming odds.

Set against the breathtaking landscapes of Thailand, the film combines spectacular natural scenery with relentless suspense, delivering an adventure that’s both visually stunning and emotionally gripping.

Whether you’re drawn in by the underwater action, the survival story, or the unforgettable locations, The Devil’s Mouth promises a cinematic experience unlike any other.

Now streaming exclusively on Prime Video.

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What to know about the Spanish enclave of Ceuta as migrant arrivals from Morocco spike

Migrants cross from Morocco into the Spanish enclave of Ceuta, Thursday, July 30, 2026. (AP Photo/Antonio Sempere)

MADRID (AP) — Thousands of migrants have streamed into the tiny Spanish territory of Ceuta in North Africa from Morocco, with at least 18 dying in the attempt, prompting Spain to deploy its military to restore the border.

Videos and images from the frontier showed crowds of people, mainly Moroccans, walking around the breakwaters at an urban beach near a border checkpoint with Morocco onto local roads. The majority looked to be young men, though there were also families with women and children.

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(AP Photo/Antonio Sempere)

The escalation at the frontier comes after a surge in migrants attempting to reach the small exclave, mainly by swimming, a day before. It was not immediately clear what prompted so many people to cross to Ceuta.

Spain’s government said it would send the Armed Forces to help the Civil Guard in Ceuta, which Spanish Prime Minister Pedro Sánchez was expected to visit Friday.

Here’s what to know.

An autonomous Spanish city in continental Africa

Ceuta and the larger Spanish territory of Melilla that is some 400 kilometers (250 miles) east, are located on the northern shores of the Mediterranean coast at the tip of Africa. Both autonomous cities belong to Spain and share the European Union’s only land borders with Africa.

In Spanish possession since 1580, Ceuta is home to a mixed population of Christians and Muslims, and Spanish and Moroccan residents and day workers who live in relative harmony.

Morocco does not officially recognize Ceuta and Melilla as Spanish territory, and often refers to them as occupied lands.

A migration and diplomatic flashpoint between Spain and Morocco

The city of 85,000 has been a flashpoint in major diplomatic crises in recent memory between Madrid and Rabat.

In May 2021, the Moroccan government dropped its border controls and let some 8,000 people from Morocco and sub-Saharan countries pour into Ceuta in just two days.

The move was broadly interpreted as retaliation from Morocco for Spain’s decision to allow a pro-independence leader from the disputed Western Sahara region to receive medical treatment at a Spanish hospital.

Tensions were defused and the border restored only after Spain’s prime minister shifted his country’s long-standing position on Western Sahara, and met with Moroccan King Mohammed VI the following year.

A destination for migrants trying to reach Europe

Spain is a main point of arrival into Europe for migrants seeking better economic opportunities or an escape from violence in their home countries.

Ceuta and its sister city Melilla are heavily fortified, as the territories are seen as a destination for those trying to reach Spain from Morocco and other parts of Africa.

Many migrants who reach Ceuta or Melilla are immediately turned back, while others held in migrant shelters are processed and can apply for asylum in Spain.

To reach Ceuta, migrants often swim from the Moroccan town of Fnideq, covering about 5 kilometers (3.1 miles) to reach Spanish territory. Others attempt the crossing from the nearby town of Belyounech, where the distance is shorter.

Still, migrant arrivals to Ceuta and Melilla are generally much lower than those reaching Spain through the Canary and Balearic Islands.

Spain’s overall immigrant population has grown considerably in recent decades, with around 10 million people in the country of 50 million having been born elsewhere.

Many are from Colombia, Venezuela and Morocco, and work in key sectors of the Spanish economy, including agriculture, tourism and the service sector.

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Two confess to killing Russian siblings in Chonburi

Two confess to killing Russian siblings in Chonburi

SA KAEO — 31 July 2026, Two suspects have confessed to killing two Russian siblings in an alleged attempt to steal their motorcycle, with police taking them to identify the location where the bodies were reportedly buried in Chonburi province.

The case began after the Russian siblings disappeared along with their Honda ADV 150 motorcycle. The motorcycle was later found dismantled and buried, prompting authorities to track down two suspects, identified as Pong and Thong.

On 31 July 2026, police investigators arrested Thanana, 43, also known as Pong, and Thongchai, 39, also known as Thong, in Wang Sombun district of Sa Kaeo province while they were allegedly attempting to flee.

During questioning, the suspects reportedly confessed that they had intended to steal the motorcycle but the Russian siblings resisted.

The suspects allegedly shot the younger brother dead and punched the older sister, causing her death.

They then reportedly took the siblings’ bodies to Khao Chi Chan in Chonburi and buried them to conceal the crime. The suspects also allegedly dismantled and buried the motorcycle before fleeing the area.

Police later tracked down and arrested both suspects in Sa Kaeo province.

The suspects were subsequently taken to the area near Khao Chi Chan to identify the location where the bodies were allegedly buried as police continue investigating the case.

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Japanese prosecutors drop drug charge against Thai woman arrested at Fukuoka airport

FUKUOKA, Japan — 31 July 2026, Japanese prosecutors have decided not to indict a 28-year-old Thai woman arrested at Fukuoka Airport after methamphetamine was found hidden in coffee sachets in her luggage, Thai authorities said.

The woman was detained on 12 July after airport officials discovered the drugs in items she had agreed to carry for a Thai person living in Japan. Her family appealed for assistance, saying she may have been used by a cross-border drug-smuggling network.

Areepak Ngeonbamrung, deputy secretary-general and spokesperson for Thailand’s Office of the Narcotics Control Board, said Japanese police had informed Thai authorities that prosecutors would not pursue a case against her.

While officials are still seeking the full reasoning behind the decision, preliminary information indicates that prosecutors believed the woman had no intent to smuggle drugs and was not involved in an international trafficking network.

She had no previous record of drug-related offences and was believed to have been unaware that narcotics had been concealed in the items she was carrying, Areepak said.

Japanese immigration police will now coordinate with Thailand’s Department of Consular Affairs to confirm that she has been cleared of the drug case and arrange her return to Thailand.

The ONCB said it would focus on tracing those behind the suspected trafficking network. Thailand’s Narcotics Suppression Bureau will handle any further criminal investigation.

Authorities are also examining whether the woman could face any customs-related charges in Thailand once she returns, as well as the role of a male delivery rider who brought the parcel to her home.

Investigators said CCTV footage showed that the rider delivered the parcel by car and had apparently been hired for the job. Police said they had identified further details of his movements but had yet to hear from him.

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A photo of the package in question along with a standard receipt message from Grab, a popular delivery service.

Investigators will determine whether there is sufficient evidence to seek an arrest warrant.

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FEED X KHAOSOD AWARDS 2026 set for Sept 27 at ICONSIAM

FEED X KHAOSOD AWARDS 2026 set for Sept 27 at ICONSIAM

The FEED X KHAOSOD AWARDS 2026, an annual awards ceremony celebrating Thailand’s entertainment and social media industries, will return for its fifth edition on Sunday, 27 September, at ICONSIAM HALL.

The event brings together two leading media brands, FEED, a platform closely connected to Thailand’s entertainment industry, and Khaosod, one of the country’s leading online media outlets.

The awards aim to recognise both on-screen talent and behind-the-scenes professionals while reflecting the diverse and contemporary voices shaping Thailand’s entertainment and social media landscape.

This year’s awards are divided into four main categories:

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1. Lifetime Achievement Awards – 3 awards

  • Lifetime Achievement in Film, Series and Drama
  • Lifetime Achievement in Music
  • Lifetime Achievement in Content Creation

Awards of the Year 0

2. Awards of the Year – 20 awards

Series and Drama – 5 awards

  • Series/Drama of the Year
  • Series/Drama Director of the Year
  • Series/Drama Actor of the Year
  • Series/Drama Actress of the Year
  • Series/Drama Supporting Actor of the Year

Film – 5 awards

  • Film of the Year
  • Film Director of the Year
  • Film Actor of the Year
  • Film Actress of the Year
  • Film Supporting Actor of the Year

Spotlight of the Year – 1 award

  • Spotlight of the Year

Boys’ Love and Girls’ Love Series – 6 awards

  • Top-Tier BL Series of the Year
  • BL/GL Series Director of the Year
  • BL Actor of the Year
  • Top-Tier GL Series of the Year
  • GL Actress of the Year
  • Best Chemistry of the Year

Music – 3 awards

  • Best Song of the Year
  • Best Solo Artist of the Year
  • Best Group Artist of the Year

Creator Influencer 0

3. Creator, Influencer and Campaign of the Year – 7 awards

  • Creator of the Year
  • Rookie of the Year
  • The Inspiration of the Year: Health Communicator
  • The Inspiration of the Year: Empowerment
  • The Inspiration of the Year: Voice for the Voiceless
  • Channel of the Year
  • Best Viral Campaign of the Year

Popularity Awards 0

4. Popularity Awards – 6 awards

  • Most Popular Actor
  • Most Popular Actress
  • Most Popular Series/Drama
  • Most Popular Artist
  • Best Chemistry
  • Most Popular Song

The FEED X KHAOSOD AWARDS 2026 will take place on Sunday, 27 September, at ICONSIAM HALL.

Further details will be available through FEED, KHAOSOD and Matichon Group’s media platforms.

#FEEDxKHAOSODAwards2026

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Heavy rain floods homes as Chiang Rai rivers surge higher

CHIANG RAI — 31 July 2026, Heavy rainfall has caused the Lao and Korn rivers to overflow their banks and flood homes in parts of Chiang Rai, affecting at least 50 households, while authorities warn that water levels could rise further.

The flood situation in Chiang Rai remained under close watch following continuous accumulated rainfall in upper areas of the province. The heavy rain caused water levels in the Lao and Korn rivers to rise rapidly.

The overflowing water subsequently inundated homes in Pa O Don Chai subdistrict, Mueang district, with at least 50 households initially reported affected.

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Ten households in Rong Khun village, Moo 1, located along the Lao River, were flooded, while another 40 households in San Sali village, Moo 5, along the Korn River, were affected.

Local administrative organisations and relevant agencies were surveying the damage and preparing to provide assistance to affected residents.

Pa O Don Chai Mayor Sirimongkol Khamdee said several days of continuous rain had caused the Korn River to overflow and flood nearby homes. Meanwhile, water levels in the Lao River behind Rong Khun Market had risen rapidly, inundating riverside and low-lying areas at several locations.

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Chiang Rai Governor Chuchip Phongchai has ordered the provincial Disaster Prevention and Mitigation Office and all relevant agencies to closely monitor the situation, speed up damage assessments and provide assistance to residents as quickly as possible.

Authorities have also been instructed to maintain continuous surveillance as water levels remain at risk of rising further.

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Thai creators unveil trailer for Ayothaya Ayeyarwady animated series

Clover Book has released the first trailer for Ayothaya Ayeyarwady, a Thai animated series based on the popular comic by Thai illustrator Amulin, with its first two episodes set to premiere free on YouTube on 26 September.

Set against the conflict between Ayothaya and Hongsawadi, the story follows the eldest son of the ruler of Song Khwae, who is sent to Hongsawadi as a prisoner of war. There, he forms an unlikely childhood friendship with the son of Hongsawadi’s viceroy.

As the two kingdoms remain divided by war, their bond is tested when the young royals must eventually face one another as enemies.

The nearly two-minute trailer, released by Clover Book on 27 July, previews scenes from episodes two to eight. Episode one is produced by Animetix Production, while Mitta Studio will produce episode two onwards.

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Clover Book Studio is executive producer, with Mitta Studio handling production. The project is supported by the Culture Promotion Department under the Ministry of Culture and snack brand Koh-Kae. Singer Songkran Rangsant has also been named as the lead vocalist for the animated series’ soundtrack.

Amulin, whose real name is Chalisa Limpipolpaiboon, told Matichon in an interview that Clover Book acquired the rights to adapt her comic. The publisher initially intended to finance the animation independently to retain full control over the story, but later sought support that would not require changes to its content.

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She said the series would be released weekly because animation production costs are high, with income from book and merchandise sales intended to help finance subsequent episodes.

Amulin also revealed to Matichon that the comic’s rights have been acquired for a separate series adaptation.

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Keep up with the shows releases on YouTube via Clover Book Studio.
Support the project by ordering the publisher’s books here.
Read the original report from Matichon.

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Thai embassy asks Georgia to explain Hlun’s delayed death notice

Thai embassy asks Georgia to explain Hlun's delayed death notice

The Royal Thai Embassy in Ankara has clarified its handling of the death of Thai national Bawornthat Pengsuk, also known as Hlun Solo, saying it was never directly notified by Georgian police and first received official notification from Georgia’s Ministry of Foreign Affairs on 29 July.

The embassy issued the clarification on 31 July 2026 in a post on its official Facebook page, following questions over its response to the case.

The embassy said an official arrived in Tbilisi at 20:30 on 29 July and immediately went to a Georgian police station. The officer handling the case reportedly said the police station had emailed Georgia’s Ministry of Foreign Affairs on 14 July, asking it to notify Thai authorities.

However, the embassy said it had not previously received any notification directly from Georgian police.

At 11:00 on 30 July, embassy officials met with representatives of Georgia’s Ministry of Foreign Affairs, who formally handed over a notification of Bawornthat’s death.

The document was dated 29 July 2026 and written in Georgian, accompanied by an unofficial English translation, the embassy said.

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The embassy also asked Georgian authorities to investigate why the Ministry of Foreign Affairs issued the notification dated 29 July only after the embassy had contacted the ministry on 28 July to inquire about the case, following reports that Bawornthat had gone missing.

The embassy reaffirmed that it had carried out its consular duties carefully, based on reliable information from the authorities of the host country and in accordance with international law, while respecting the privacy rights of the deceased and his family.

In a separate statement, the Royal Thai Embassy in Ankara reiterated: “The embassy never received notification from Georgian police and first received notification from Georgia’s Ministry of Foreign Affairs on 29 July.”

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Thailand moves to overhaul 100-plus laws to boost competitiveness

Thailand moves to overhaul 100-plus laws to boost competitiveness

BNGKOK — 31 July 2026, Thailand’s government is reviewing more than 100 laws identified by the private sector as obstacles to doing business, with the aim of cutting costs and improving the country’s competitiveness, Deputy Prime Minister for Legal Affairs Pakorn Nilprapunt said.

Pakorn said the government had begun working with the private sector’s three main institutions through the Joint Public-Private Sector Consultative Committee to review laws and regulations that hinder business operations.

The latest proposals from the private sector involve more than 100 laws, with most recommendations coming from the Federation of Thai Industries and the Thai Chamber of Commerce.

The proposals will first be grouped and prioritised to identify which laws have the greatest impact on the economy and national competitiveness, he said.

Pakorn said the government would not create a large-scale master plan, which could take too long and risk falling behind changing circumstances.

Instead, private-sector groups have been asked to clearly identify what is wrong with each law and which specific wording needs to be amended. Once clear draft amendments are prepared, the government will immediately seek feedback from relevant stakeholders.

After consultations and agreement are reached, the principles will be submitted to the Cabinet, which will assign the relevant agencies to amend the laws through the established process.

The government will prioritise measures that can be implemented quickly and deliver tangible benefits to businesses.

The legal reforms will be prioritised under the government’s seven Leading Thailand strategies, particularly sectors that directly affect the country’s competitiveness, including tourism and industry.

Private businesses have repeatedly warned that Thailand will struggle to compete with other countries if operating costs remain high.

Pakorn said his team had already held preliminary discussions with the private sector to determine which proposals would be beneficial and practical.

A system has also been developed to allow private-sector representatives to submit issues and track progress on each proposal, he said.

However, Pakorn stressed that competitiveness was not solely a legal issue. Structural costs, particularly high energy prices, also remain a major burden for businesses across the economy.

“Even if we reform the laws, it may not be enough if these issues are not addressed at the same time,” he said.

Pakorn said the government initially expected the process to take around two months but had already made significant progress.

“We expect to have a clearer picture within the next one to two months. We have to move quickly because time is running out, the government’s term is moving fast, and the country needs tangible change,” he said.

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European nations vow FIFA World Cup boycott over Infantino private equity plan as opposition spreads

FILE - FIFA President Gianni Infantino speaks during a news conference at the stadium in Mexico City, Wednesday, June 10, 2026, a day before the opening FIFA World Cup match between Mexico and South Africa. (AP Photo/Eduardo Verdugo, File)

GENEVA (AP) — European nations agreed Thursday to boycott the World Cup and all other FIFA competitions to protest Gianni Infantino’s plan to sell stakes in soccer’s biggest tournament to private equity investors. The North American soccer body rejected his plan later the same day.

“UEFA and its national associations will not participate in FIFA competitions,” the European soccer body said after an urgent online meeting of its 55 member nations.

The next scheduled FIFA tournament is within weeks in Europe — the Women’s Under-20 World Cup hosted by Poland from Sept. 5 — and the four British federations comprise FIFA’s only bidder to host the 2035 Women’s World Cup. That decision is due Nov. 23.

“Some things are simply too important to sell,” UEFA said in a statement. “The FIFA World Cup belongs to football. It always will. And so long as Europe has a voice, it will never be for sale.”

The strategy meeting was called to counter FIFA President Infantino’s offer of $20 million to each of FIFA’s 211 global members that has to be accepted by mid-September.

Later Thursday, the 41-member Confederation of North, Central American and Caribbean Association Football (CONCACAF) met and announced it rejected Infantino’s plan.

In a statement, CONCACAF said members “expressed deep concerns about the lack of due process surrounding the proposal, the artificially short deadline imposed, and the absence of any review or approval by the relevant FIFA governance bodies.” It also questioned the need for outside investment “following the most profitable FIFA World Cup in history.”

Infantino’s secret project was revealed Tuesday to spin off its commercial operations in a new $20 billion subsidiary called FIFA Forward Enterprise (FFE) 20% owned by private investors. The core investor would be a New York investment firm created by Joshua Kushner, the brother of U.S. President Donald Trump’s son-in-law Jared Kushner.

Infantino wrote Tuesday to the 211 members — already the effective owners of FIFA as a non-profit association under Swiss law — that if they approve FFE their promised $10 million basic funding for the next four years will double to $20 million. He projected their FIFA funding through 2038 would be $86 million each, instead of about $36 million.

“This is not merely a profound failure of leadership, but an abdication of FIFA’s duty as the custodian of world football,” said UEFA, where Infantino was a long-time staffer and its CEO-like general secretary when he was first elected to lead FIFA in 2016.

Infantino’s presidency at risk?

Infantino’s high-stakes financial gambit now could threaten his previously secure 11-year presidency of FIFA as anger and frustration with him rises among soccer stakeholders including three of the six continental bodies.

FIFA has set a Nov. 18 deadline for potential candidates to declare in a presidential vote of the 211 members scheduled next March in Rabat, Morocco.

Infantino had seemed — 11 days ago after the World Cup final in East Rutherford, New Jersey — to have a clear path to being re-elected unopposed for a fourth and final term in office through 2031, despite a furor over letting United States forward Folarin Balogun play against Belgium despite a red card in his previous game.

Soccer officials have said privately Infantino has eyed a lucrative commissioner-like role at the FFE spinoff beyond 2031.

“Game over, Gianni #InfantinOUT,” the Football Supporters Europe group, which advises UEFA on fan issues such as ticket prices, posted after the boycott threat.

Soccer’s concern at investor pressure

UEFA detailed Thursday why soccer officials fear external investors owning a stake of the global game’s biggest events, including World Cups and Club World Cups for men and women.

“The moment external investors acquire ownership interests in FIFA competitions, football changes forever,” UEFA said. “Commercial return becomes a permanent obligation. Investor expectations become a daily pressure.”

Infantino has presented the private equity offer as a chance to “turbocharge” funding development of soccer across the world, where a majority of the 211 FIFA members rely on its funding.

Officials from about 40 UEFA member spoke at the urgent meeting, with anger expressed that FIFA is not using some of its multi-billion reserves to fund extra development programs.

“As a result of today’s discussion, no UEFA national teams will participate in any FIFA competition for so long as these proposals remain alive,” the European soccer body said, “unless this proposal has been abandoned in its entirety and binding assurances have been given that FIFA will never again open its governance or competitions to private ownership.”

Asia adds rare criticism of Infantino

On a seismic day in soccer politics, a traditional bedrock of support in Asia for FIFA and Infantino had earlier Thursday been shaken.

“FIFA’s unilateral actions appear to undermine the very foundations of continental football,” the Asian Football Confederation president Sheikh Salman bin Ibrahim Al Khalifa said in a letter to its 46 members of FIFA, warning of risks to their own competitions.

Sheikh Salman, an ally to Infantino since losing the FIFA presidential election to him in 2016, wrote “such an initiative will not succeed without the support of all the confederations, which is not the case now.”

In a video message published Wednesday by FIFA, Infantino insisted spinning off its money-making operations was “an offer, not an obligation.”

A FIFA presentation for its members, co-written with its banking advisors from J.P. Morgan and seen by the AP, set a goal for FFE as “commercial rigor and expertise to better capitalize on broadcast rights, sponsorships and a growing tournament portfolio.”

FIFA squeeze on continental games

That growing portfolio likely would include adding more teams to FIFA competitions like the World Cup and Club World Cup for men and women, and potentially staging them more often than every four years, including in the U.S.

FIFA adding teams, games and competitions would squeeze the value, status and space in the congested global fixture calendar for those that fund and are organized by the six continental soccer bodies like UEFA and the AFC. Those include World Cup qualifying games, continental tournaments and Champions Leagues.

“It is important that the AFC family has a complete understanding,” Sheikh Salman wrote, “of how such an initiative may affect key areas of global and Asian football, including the sustainability of confederation and (domestic) competitions, as well as the organization and commercial landscape surrounding the AFC’s activities.”

UEFA’s previous boycott threat

A threatened World Cup boycott from Europe helped derail Infantino’s plan in 2021 to play World Cups every two years instead of four.

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